From the late 1940s through the 1950s, Eero Saarinen designed many of the most recognizable Knoll pieces, including the Tulip Chairs and Pedestal Tables, the Womb Chair, and the 70 Series Executive Seating Collection. His designs used modern materials in graceful ways, helping establish the identity of Knoll during our formative years.
Regarded as one of the most important figures in the history of architecture, Ludwig Mies van der Rohe’s ‘less-is-more’ approach to design was the gold standard for many generations of modern architecture. His legendary career started humbly at his father’s stonemasonry business, giving him an early appreciation of material and structure.
Hans and Florence never demanded that Bertoia design furniture when they gave him a studio in an early Knoll factory. They simply asked that he show them if he arrived at something interesting. He arrived at something outstanding. Introduced in 1952, the Bertoia Collection remains one of the great achievements of modern design.
Florence Knoll humbly referred to her furniture designs as “meat and potatoes” — filler between the standout pieces of Bertoia, Mies, and Saarinen. 65 years later her furniture is anything but filler. Her attention to detail, eye for proportion, and command of the modern aesthetic resulted in some of the most celebrated furniture of the modern era.
Warren Platner studied at Cornell University, graduating in 1941 with a degree in architecture. He went on to work with legendary architects Raymond Loewy, Eero Saarinen, and I. M. Pei before opening his own architecture practice. Platner made notable architectural contributions throughout his career, including the Georg Jensen Design Center and the Windows on the World restaurant in the World Trade Center, both in New York City.